The cinematic debut for the long-running animated series about a misfit family of restaurant owners brings all the quirks and quips of the original Bob’s Burgers.
Category: Film
Hit the Road
Being the son of the great Iranian dissident filmmaker Jafar Panahi and the protege of the late master director Abbas Kiarostami can’t help but cast a shadow, but if this digressive and slyly weighty debut is any indication, Panah Panahi will have no trouble making his own voice heard. A family of four drives through […]
Sunken Roads: Three Generations After D-Day
Unfortunately, what Juergens presents onscreen comes across more like a loose scrapbook or vlog than a film.
‘Let’s fuck up the frame’
The Gene Siskel Film Center’s monthlong celebration of Chicago native Haskell Wexler’s centennial concludes May 31.
Downton Abbey: A New Era
Little of consequence happens in Downton Abbey: A New Era, but that’s sort of the point.
The Janes is a call to action
“What we know for a fact is that making abortion illegal does not stop women from seeking abortions, it just keeps them from getting safe abortions.”
The Last Victim
No amount of cowboy bravado could pump life into director Naveen Chathappuram’s debut film.
Seeing with silence in avant-garde cinema
In the context of film, silence helps us appreciate the beauty and gift that is our sense of sight.
The sweet sound of silents
The film is the thing, the guiding force behind what they do.
Horror is a sound you can’t stop saying
Philip Glass’s soundtrack for piano, pipe organ, and chorus mirrors the repetition in the summoning spell.
In defense of subtitles
Those once-pestering words on the bottom of television screens I now see as an opportunity to refresh and expand my communication.