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A Time to Love and a Time to Die

A masterpiece of mise-en-scene (1958) by Douglas Sirk, transforming an Erich Maria Remarque melodrama into a haunting story of the search for beauty in a dead world. John Gavin and Lilo Pulver are lovers who meet among the ruins of a bombed-out German town during World War II. Despite their efforts to make contact, happiness […]

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Against All Odds

It’s hard to see why Taylor Hackford (An Officer and a Gentleman) wanted to remake Jacques Tourneur’s classic film noir Out of the Past: he spends the first half of the movie trying to establish a plausible 1984 context for the 1947 plot, and the second half struggling to twist Tourneur’s fatality into a typically […]

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Across the Pacific

John Huston’s sort-of sequel to The Maltese Falcon, with Humphrey Bogart, Mary Astor, and Sydney Greenstreet together again in an equally obscure plot, involving Nazi spies in Panama. In any analyzable way, this 1942 feature isn’t all that inferior to the somewhat overrated Falcon, but it doesn’t quite have the charisma. For a static director, […]

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Oh, Bloody Life! . . .

An actress gains the lead in a social-realist musical when the star is injured, but her big break turns bad when the state police discover she was once married to an aristocrat. Branded a “class enemy,” she’s banished to a provincial labor farm. Peter Bacso (The Witness) directed this Hungarian comedy-drama.

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Les violons du bal

Michel Drach scores high on compassion but low on inspiration in this film, an examination of the plight of French Jews suffering the Nazi occupation and the double standard of the French bourgeoisie. The cloying film—>within—>the—>film structure

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Mascot

Separated by the divorce of their parents, a brother and sister defy legal and social strictures by searching for and attempting to live with each other. Juliana Nyako and Zoltan Jakab star in this 1983 Hungarian film, directed by Janos Rozsa.

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Sweethearts

MGM scrapped the story of Victor Herbert’s 1913 operetta in favor of a genuinely droll script by Dorothy Parker and Alan Campbell, making this 1938 feature the most entertaining of the Jeanette MacDonald-Nelson Eddy musicals. It was directed by W.S. Van Dyke in a bantering style that recalls his Thin Man films, and photographed in […]

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Light Physical Injuries

Gyorgy Szomjas’s Hungarian feature is a bleak, depressed Eastern-bloc variation on a Noel Coward theme: released after two years in prison, a downtrodden young man returns home to find his wife living with another man. Though they agree to a divorce, the husband refuses to leave the apartment and mounts a strident campaign to win […]