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Concept movies are rarely as galvanizing as this deliberately disorienting 1993 movie-within-a-movie. Some scenes seem improvised or even documentary, some are impossible to relegate to a single level of fictional reality. Yet there’s a clear story line in which Harvey Keitel plays movie director Eddie Israel and Madonna plays Sarah Jennings, a celebrity recommended for a lead role in his latest production by her on- and offscreen allure, star status in another medium, and capital. Much of the movie Israel’s making (and Dangerous Game) exposes Madonna/Jennings to emotional and physical intrusions that are engineered by Keitel/Israel, though ultimately director Abel Ferrara calls the shots. This grueling, multifaceted drama about (and by) a filmmaker whose MO includes severely testing the sanity and loyalty of his actors complicates the significance of the casting of Madonna–who also produced–even if you believe a woman’s complicity in her own exploitation is a feminist gesture. Written by Nicholas St. John; with James Russo and Nancy Ferrara. Also known as Snake Eyes. Film Center, Art Institute, Columbus Drive at Jackson, Friday, July 16, 8:00, 312-443-3737. –Lisa Alspector

Art accompanying story in printed newspaper (not available in this archive): film still.