Cheryl L. West’s Pullman Porter Blues spends too much time explaining and not enough time dramatizing.
Category: Theater Review
Joan Allen can’t find her way home
Joan Allen returns to Steppenwolf in a literary construct called The Wheel.
The Old Man and the Old Moon and the New Innocence
Pigpen Theatre Company’s musical fable The Old Man and the Old Moon drowns in charm.
Still climbing toward The Mountaintop
In Katori Hall’s The Mountaintop, Martin Luther King Jr. faces his own Gethsemane.
Other People’s Money may be the best revenge
Other People’s Money may be the best revenge.
What happened to A Raisin in the Sun
Lorraine Hansberry’s 1959 masterpiece, A Raisin in the Sun, is still a potent indictment.
The Color Purple unbound
The Mercury Theater presents The Color Purple without fashionable cuts.
A Twelfth Night for the tween set
The Hypocrites offer a Twelfth Night for the tween set.
Playing Family Feud at Steppenwolf’s First Look
They always hurt the ones they love in Steppenwolf’s First Look repertory.
Anti-Arab bias is an easy target for satire, but Invasion! misses the mark
Anti-Arab bias is an easy target for satire, but Invasion! misses the mark.
Ancient myth meets modern economics in Luis Alfaro’s Mojada
Ancient myth meets modern economics in Luis Alfaro’s Mojada.
Friends recall old crimes in Simpatico
Michael Shannon stars in Simpatico, a death struggle disguised as a comedy.
Sleeping with the enemy in Belleville
Sleeping with the enemy in Belleville.
The Jungle Book wars, onstage
Mary Zimmerman’s best answer to her critics is a flawed, defiant Jungle Book.
Keith Huff’s Big Lake Big City is made for TV
Keith Huff’s Big Lake Big City is made for TV. Unfortunately, it’s a play.