Lisa Dillman’s American Wee-Pie premieres at Rivendell Theatre Ensemble
Category: Theater Review
Posted inArts & Culture
Everymotherfucker: The Motherfucker With the Hat is about all of us
Steppenwolf Theatre stages Stephen Adly Guirgis’s The Motherfucker With the Hat
Posted inArts & Culture
Rhinoceros? Imposserous—but true. Rhinofest is back
Curious Theatre Branch mounts the 24th annual Rhinofest
Posted inArts & Culture
It’s the little things you miss about James Joyce’s “The Dead”
Court Theatre’s Charles Newell directs James Joyce’s “The Dead”
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Eugene O’Neill’s great joke
Bleak as it can be, The Iceman Cometh is a comedy at heart
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Revolting babies
Bailiwick Chicago and the New Colony coproduce futuristic Rise of the Numberless
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Devices obvious and mechanical
Neil LaBute gets Agatha Christie-esque with In a Forest, Dark and Deep
Posted inArts & Culture
Camino to perdition
Goodman’s Casino Real: not recommended for the squeamish
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Hallucinating in Romania
Trap Door Theatre stages a play by Romania’s Matei Vişniec
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Kind of a Drag
Justin Hayford reviews Doug Wright’s I Am My Own Wife and Alexandra Billings’s Before I Disappear.
Posted inArts & Culture
Dead Aim
Justin Hayford reviews Brett Neveu’s 2002 drama Eric LaRue at A Red Orchid Theatre.