Barrel of Monkeys retains its foolproof central conceit for this new evening of short plays by Chicago Public School students, grades three through six. Performed by a troupe of adult hipsters and cheerfully produced with the shabby budget of a Charlie Brown Christmas pageant, the resulting madcap hour has the broadest appeal of any play […]
Author Archives: Christopher Piatt
Howie the Rookie
Contemporary Irish drama checklist: Nearly indecipherable blue-collar brogues? Check. Crude euphemisms for sex with ugly girls? Check. Whiskey? Check. Stories detailing grotesque violence? Check. Mark O’Rowe’s two back-to-back monologues have all the most corrosive elements of recent Irish plays, but in Mike Tutaj’s staging they also offer humor and poetry. Pickled blackguards Howie and Rookie […]
Legs! Control Top
Surely there are no other Sheena Easton-Condoleezza Rice fans like monologuist Michael Moore: he fawns over them equally, creating flourishing fantasies of what their lives must be like. The only thing unifying this evening of random personal anecdotes–Moore was a typical white trash kid who dreamed of becoming a musical-theater diva–is his enthusiasm for relaying […]
No Way to Treat a Lady
Jazz musicals about famous killers are an odd American staple, but they generally sell tickets. Composer Douglas J. Cohen aims to capitalize on the genre in his pop-pastiche adaptation of the quirky 1968 film No Way to Treat a Lady, but whether or not he succeeds can’t possibly be determined from William Pullinsi’s chintzy, cardboard […]
The Midnight Hellhouse
Two abortions are depicted onstage in this send-up of evangelical Christian haunted houses that use scenes of sinners in hell to scare visitors into “piety.” One abortion is performed by a rabid stem-cell addict who bites into a pregnant woman’s abdomen in order to devour her fetus. In the other a woman aborts the Christ […]
Don’t Turn Out the Lights
DON’T TURN OUT THE LIGHTS | The titular advice is a bit beside the point, since nothing in Corn Productions’ Halloween revue for kids is terribly scary. A better name might be “Don’t Go Longer Than an Hour.” They don’t, and this string of sketches set at Berwyn Middle School is silly enough to satisfy […]
On Stage: Kevin O’Donnell helps the House keep the beat
Last fall, after speaking on a panel at Columbia College on how to manage a career in the arts, Kevin O’Donnell got on the elevator with House Theatre artistic director Nathan Allen, playwright Phillip Klapperich, and some other members of the young company. Making small talk, Klapperich asked the musician where he played around town. […]