Tearing Lady Gaga’s ticket. Seeing a tenor dropped in Tosca. Grooving to Mavis Staples from the rafters. These are the magical moments that happen with live performance. They are also just another Tuesday night for The Saints, the quiet backbone of Chicago theater that’s never stopped working, lockdown be damned. The Saints is the only […]
Author Archives: Marissa Oberlander
Posted inBest of Chicago
Cuddling with Popcorn the chicken
A poultry version of the human-animal connection brings mindfulness and joy
Posted inArts & Culture
Mlima’s Tale traces the illegal ivory trade
The tragedy of a single elephant’s death has universal implications in Griffin’s production.
Posted inArts & Culture
A new adaptation brings contemporary verve to A Doll’s House
Two standout performances anchor Raven’s production of the Ibsen classic.
Posted inArts & Culture
The Adult in the Room doesn’t do full justice to Nancy Pelosi
Orlagh Cassidy centers this one-woman show, but the script needs more depth.
Posted inArts & Culture
Filament Theatre’s Forts! builds adventures, agency, and awareness
Kids and families are in charge at this Portage Park theater
Posted inArts & Culture
Bunny’s Book Club illustrates the love of a good story
Lifeline Theatre KidSeries brings children and animals together for a family-friendly yarn.
Posted inArts & Culture
Bette: Xmas at the Continental Baths features hot pipes, but tepid banter
Hell in a Handbag’s Midler revue is middling.
Posted inFilm
Six degrees of Abby McEnany
How a network of local creatives brought a queer, authentically Chicago story to Showtime.
Posted inArts & Culture
Rutherford and Son is Succession without the sex, drugs, and rock ’n’ roll
Githa Sowerby’s long-neglected drama has a strong cast at TimeLine, but drags at times.
Posted inArts & Culture
Laura and the Sea examines our working relationships
A coworker’s suicide leads to soul-searching in Kate Tarker’s darkly comic meditation.
Posted inArts & Culture
The Other Cinderella turns Black Ensemble Theater into a magic kingdom
Forty-three years after its first production, Jackie Taylor’s African American adaptation still enchants and empowers.
Posted inArts & Culture
Who Killed Joan Crawford? mixes camp and mystery
Delicious acerbic drag performances spice up this whodunit.
Posted inArts & Culture
Invisible needs to take a closer look at why women join the Klan
Mary Bonnett’s drama has intriguing subject matter, but doesn’t fully connect.
Posted inArts & Culture
The daughter of migrant workers finds courage and friendship in Luna
Filament Theatre’s staging helps the audience feel right at home.