A work about wheelchair-bound astrophysicist Stephen Hawking soars.
Author Archives: Matt de la Peña
Thodos Dance Chicago bows out after a final New Dances this weekend
The 25-year-old company and choreography incubator presents one last summer showcase.
Esoteric Dance Project’s Perspective keeps things simple, funny, and relatable
Brenna Pierson-Tucker and Christopher Tucker’s company brings three world premieres to Links Hall.
Tango 21 brings the real tango, without the rose between the teeth
The company and its offshoot Tango 21 Dance Theater preserve the Argentine form.
Hubbard Street Dance gets lucky with its latest Danc(e)volve: New Works Festival
Lucky Plush founder Julia Rhoads, one of four female choreographers featured, adds some humor to the program.
Live from La Havana Madrid
Teatro Vista’s immersive show re-creates a Latino nightclub in its 60s heyday.
Dancer Ayako Kato moves from protest to perseverance in the face of environmental disaster
The solo dance Blue Fish was originally inspired by the Fukushima Daiichi Nuclear Power Plant disaster.
Liz Gerring’s dance performance Horizon is an experiment in pure movement
The Liz Gerring Dance Company makes its Chicago debut with an abstract, minimalist hour-long piece.
The multidisciplinary Tesseract explores queer identity through the lens of science fiction
Dance and video—both 3-D and real-time—combine in this MCA show featuring veterans of Merce Cunningham Dance.
Boy wonder Justin Peck’s Year of the Rabbit makes the Joffrey’s “Game Changers” soar
The program also includes exquisite works by Christopher Wheeldon (Fool’s Paradise) and Wayne McGregor (Infra).
Boy wonder Justin Peck makes the Joffrey’s ‘Game Changers’ soar
Set to Sufjan Stevens, the dancer-choreographer’s Year of the Rabbit lives up to the program’s title.
The MCA’s Merce Cunningham retrospective spotlights the art of collaboration
“Merce Cunninghman: Common Time” considers one of the 20th century’s most significant choreographers.
Kyle Abraham and Abraham.in.Motion tackle civil rights in the time of Freddie Gray and Laquan McDonald
“When the Wolves Came In,” a trio of dances inspired by the classic protest album We Insist! Freedom Now Suite, comes to the MCA this weekend.
The Cambrians bring the mashup to the dance world
In Empress Archer, the troupe combine various pieces into one work.
The Joffrey’s new Nutcracker spellbinds amid the snow
Christopher Wheeldon’s update of the classic puts class consciousness at the forefront, to illuminating effect.