One of Chicago’s greatest treasures for its LGBTQ+ community and its allies is the city’s queer theater scene. As the 2023–24 season kicks in, there will be no shortage of queer stories playing out on Chicago’s stages. Uptown-based LGBTQ+ theater stalwart PrideArts got an early start, kicking off its fall season back in August with […]
Author Archives: Matt Simonette
Cooking With Soul
Near the end of Black Ensemble Theater’s (BET) superb new revue A Taste of Soul, co-emcee Qiana McNary mentions that the show’s creators hope to leave the audience both “full and hungry at the same time.” The show’s central framing device—a television cooking program veering into musical numbers, concurrently leading the audience through the history […]
Emotional landmines on the campaign trail
Obama campaign operatives stationed in East Cleveland at the height of the 2008 presidential run felt like they were at the center of the political world. An idealistic—and existentially lost—Black gay man’s entrance into this volatile world forms the center of Fleetwood-Jourdain Theatre’s production of Aurin Squire’s Obama-ology, which entertainingly depicts what an emotional minefield […]
Showfolk follies
I’m generally not a huge fan of material wherein creative folk in any discipline—theater, film, publishing, music—turn to their own profession for inspiration. If a movie is about filmmaking, or a novel is about a tortured novelist, or a singer crows about how hard life is on the road, I check out pretty quickly. So […]
one in two provocatively reflects on a lingering epidemic
Even as the audience find their seats before the start of PrideArts’s new production one in two, they’ll get a sense that their relationship with the actors for the next 90 minutes will be an unusual one. The actors are already onstage, stretching and otherwise preparing, as the audience sits down. Following the performance, there […]
Albert Herring balances indie aesthetic with traditional music
Benjamin Britten’s 1947 opera Albert Herring (set in 1900) has been a perennial production for Chicago Opera Theater. But the new mounting opening tonight at the Athenaeum, helmed by director Stephen Sposito, promises to infuse Britten’s story with what the company is calling an “indie-film vibe.” Sposito—who was associate director for The Book of Mormon, […]
The Chicken Ranch builds a nest in Evanston
The Best Little Whorehouse in Texas, first presented on Broadway in 1978 and memorably mounted as a film in 1982, is ironically one of the most prescient musicals for the 21st century. The story of the Chicken Ranch in fictional Gilbert, Texas, both portends contemporary cancel culture and brilliantly contrasts the ethics of prostitution, the […]
Have yourself a dirty little Christmas
I try not to lose myself in hyperbole, but I’m guessing Tom Whalley’s Jack Off the Beanstalk (a bawdy take on the classic British “panto”) is the only play this holiday season where the cow steals the show. Fist the Cow (Tyler Callahan), the bovine possession of the titular Jack Clapp (Joe Lewis)—whom Jack naively […]
Buttcracker burlesque cracks traditional ballet wide open
Jaq Seifert admits that the title of the holiday show they created, The Buttcracker, came to them while sitting around a campfire in 2015. “I was hanging out with some burlesque dancers,” they recall. “I had been working at a burlesque theater for a little bit as a sort of company manager. We were just […]
Southern secrets and lies
Sarah Sapperstein’s Maggie the Cat commands your attention with her act one monologues in MadKap Productions’s mounting of Tennessee Williams’s Cat on a Hot Tin Roof at Skokie Theatre, directed by Steve Scott. Sapperstein’s costars take her energy and roll with it for the entirety of this show, in which a southern family unravels (and […]
Great character work helps Boeing-Boeing take off at Saint Sebastian Players
In Boeing-Boeing, the 1960 French sex comedy by Marc Camoletti (translated by Beverly Cross and Francis Evans) that’s now being mounted by Saint Sebastian Players, protagonist Bernard (Garrett Wiegel), an expat American in Paris, is juggling three different “fiancees.” He explains to friend Robert (Joshua Paul Wright), who is visiting from Wisconsin, the one central […]
Unearthing raw passions
Sam Shepard’s Pulitzer Prize-winning drama about a rural Illinois family beset by delusion and dysfunction is brilliantly brought to life by AstonRep Theatre Company. Alcoholic patriarch Dodge (Jim Morley, who brought to mind Richard Widmark in a stellar performance) is permanently ensconced on the living room couch yelling to his wife, Halie (Liz Cloud). Few […]
Medieval love triangle, modernized
Music Theater Works (MTW) ambitiously takes on some of the problems with Alan Jay Lerner and Frederick Loewe’s formless and dated book, keeping our focus on Arthur (Michael Metcalf), Guenevere (Christine Mayland Perkins), and Lancelot’s (Nathe Rowbotham) love triangle. In her program notes, director Brianna Borger explains, “Our Camelot envisions a troupe of revelers outside […]
The Twenty-Sided Tavern offers hundreds of sides to every story
According to head writer David Andrew Greener Laws, who goes by the acronym DAGL, The Twenty-Sided Tavern, opening October 27 at the Broadway Playhouse, is “a game and an experience, and set in a sword and sorcery fantasy world that casts the audience as the fourth player.” Inspired by role-playing games like Dungeons & Dragons […]
On a clear day you can clone forever
Dr. Barbra Joan Frankenstreisand (Tyler Anthony Smith)—that ultimate hyphenate: superstar-mad scientist—has commandeered the stage at the Raven Room at Redline VR bar for what she calls a “clone-cert” to duplicate her beloved and very dead pooch. Few theater companies understand characters toeing the line between stardom and monstrousness like Hell in a Handbag Productions. Frankenstreisand, […]