The performances themselves fall flat.
Author Archives: Oliver Sava
Memphis makes the birth of rock all about the white dude
Porchlight’s production is fun, but lacks depth.
At Lucky Plush’s ‘Tab Show,’ anything can happen
The dance troupe recreates the spirit of an old roller rink and a traveling road show.
33 to Nothing’s speakers go up to 11
Grant James Varjas’s new play is a band rehearsal in real time—and it gets really loud.
Dance becomes collective action in Poor People’s TV Room
In a new multimedia piece, choreographer Okwui Okpokwasili shows off the strength of Nigerian women throughout history.
Hedwig Dances brings Bauhaus utilitarianism to the stage
In its spring show, Jan Bartoszek’s troupe plays with space and geometry.
The Process v. Product Festival demystifies the art of choreography
For two weekends, dancers, poets, curators, visual artists, and ecologists will gather at Columbia College to talk about movement.
In April See Chicago Dance wants the whole city to . . . well, you know
There will be events all month, all over to get you on your feet
Alejandro Cerrudo kindles light in the darkness at Hubbard Street Dance
The company returns to the Auditorium Theatre this weekend for a retrospective of the resident choreographer’s work.
Mark Morris’s Layla and Majnun gives a modern dance spin to a classic Arabian love story
“The story has been through a lot of different points of view, and I want to unite them.”
Cloud Gate Dance Theatre combines words, history, and movement in Formosa
Facing retirement, choreographer Lin Hwai-min brings his career full circle.
The best and rest of Rhinofest
The Reader critics’ guide to the annual fringe festival
Ayako Kato creates a radical dance experiment in silence and stillness
“When you have silence and stillness,” she says, “you start to sense how movement is precious.”
The Chicago Musical Theatre Festival is like an in-person Netflix binge
See the world premieres of eight new musicals.
At the Eclipsing Festival, Amina Ross wants you to find the light in darkness
The four-day-long festival explores the links between racial injustice and language.