Stavros “Steve” Giannopoulos

of the Atlas Moth

myspace.com/theatlasmothband

Stavros “Steve” Giannopoulos handles the lion’s share of the lead vocals in the Atlas Moth, a three-guitar metal outfit whose towering roar carries bits of ass-shaking southern rock, misanthropic New Orleans sludge, and narcotic psychedelia the way a hurricane carries bits of aluminum siding. (They’re also the only band to date whose Kuma’s burger has involved collard greens and a waffle.) He wears a classic handlebar mustache, often waxed into neat curls at the ends, that makes him look like a medicine-show huckster flogging bottles of Hadacol out of a suitcase. Because he wears his hair short—with a fresh cut, his style is a tad O Brother, Where Art Thou?—he could almost pass for the tenor in a heavily tattooed barbershop quartet. But then he opens his mouth, and out comes a scouring shriek that sounds like a Dustbuster full of aquarium gravel. He shaved a week or so before the Atlas Moth’s show with Eyehategod last Sunday, by the looks of things—if there’s one thing I know about mustaches, though, they grow.

Philip Montoro

Philip Montoro has been an editorial employee of the Reader since 1996 and its music editor since 2004. Pieces he has edited have appeared in Da Capo’s annual Best Music Writing anthologies in 2005, 2006, 2007, 2008, 2010, and 2011. He shared two Lisagor Awards in 2019 for a story on gospel pioneer Lou Della Evans-Reid and another in 2021 for Leor Galil's history of Neo, and he’s also split three national awards from the Association of Alternative Newsmedia: one for multimedia in 2019 for his work on the TRiiBE collaboration the Block Beat, and two (in 2020 and 2022) for editing the music writing of Reader staffer Leor Galil. Philip has played scrap metal in Lozenge, drummed with the Disasters, the Afflictions, and Brilliant Pebbles, and sung for the White Outs. He wrote the column Beer and Metal from 2012 till 2015, and hopes to do so again one day. You can also follow him on Twitter.