Last summer Adam Poss contributed mightily to the general greatness of Victory Gardens Theater’s barrio-gritty Oedipus el Rey, with an intense turn in the title role. About seven months later he was scary charming as the manipulative gay editor of a college newspaper in Goodman Theatre’s Teddy Ferrara. I didn’t register the name from one show to the next, and the performances were so divergent, the types of energy they expressed so very different, it didn’t occur to me that I was watching the same person each time. Then I saw Poss in The Lake Effect at Silk Road Rising and looked up his credits. Quelle surprise.
Best Performances That Make You Think One Guy Is Two Entirely Different People
Adam Poss
