The Belgian reedist Joachim Badenhorst is hard to pin down. He’s often bicontinental, splitting his time between New York and, currently, Antwerp. More significantly, he operates in so many disparate musical contexts and plays in so many different projects it could be frustrating to try to nail down a specific aesthetic for him. It would also be stupid and silly. He’s an improviser and curious musician, and I’ve never heard him sound uncomfortable or incompatible in any of numerous settings he works in.