• Big things happening under this sign

When DryHop brewpub threw a preopening party on Saturday, June 8, it sold 300 growler fills and 300 tasting flights to an estimated 400 guests in just two hours. When I visited on Saturday, June 15, two days after DryHop formally opened, I showed up around 3 PM, hoping to squeak in between the lunch and dinner crowds—but there was no “between.” The 3,000-square-foot space at 3155 N. Broadway, which allegedly holds 70, was standing room only, and a line for growlers stretched out the door. I stayed about four hours, and not a minute went by that at least three people weren’t waiting for a growler fill. Around 5 PM, Hopleaf co-owner Michael Roper dropped by to see what the fuss was about, then drank his way through half the beer menu.

In other words, Atlas Brewing Company has hardly sated the neighborhood’s appetite for brewpubs. (It opened last summer less than a mile away, on Lincoln near Diversey.) DryHop was so slammed during my visit that the kitchen ran out of food and had to stop serving for two hours in order to recover for dinner. Head brewer Brant Dubovick told me that if the current frenzy of demand for DryHop’s beers keeps up, it’ll make it tough for him to brew lagers or high-alcohol styles—they tie up his equipment for too long. Because DryHop’s landlord also owns the storefront immediately south, the brewpub is already considering expanding into that space. It’s almost certainly going to staff up posthaste, at least at the bar.

All this is to say that DryHop probably doesn’t need a good review from me to take off like gangbusters. But it’s gonna get one anyway, because Dubovick is doing some great work.

Philip Montoro

Philip Montoro has been an editorial employee of the Reader since 1996 and its music editor since 2004. Pieces he has edited have appeared in Da Capo’s annual Best Music Writing anthologies in 2005, 2006, 2007, 2008, 2010, and 2011. He shared two Lisagor Awards in 2019 for a story on gospel pioneer Lou Della Evans-Reid, and he’s also split two national awards from the Association of Alternative Newsmedia: one for multimedia in 2019 for his work on the TRiiBE collaboration the Block Beat, and one in in 2020 for editing the music writing of Reader staffer Leor Galil. Philip has played scrap metal in Lozenge, drummed with the Disasters, the Afflictions, and Brilliant Pebbles, and sung for the White Outs. He wrote the column Beer and Metal from 2012 till 2015, and hopes to do so again one day. You can also follow him on Twitter.