• Tom Van Avermaet’s Death of a Shadow

All this month we’ll be reviewing the Oscar nominees for the best animated, live-action, and documentary short films, alternating daily between categories. Check back tomorrow for the next installment.

As I mentioned in a recent review, the primary issue that befalls the majority of short narrative work is a tendency to cram too much plot into a limited amount of time. It behooves filmmakers working in the short form to stick to a single concept or theme and fully commit to depicting it, rather than overextending themselves with multiple themes. (Interestingly enough, this problem rarely arises in short animation, most likely because animation directors don’t feel the need to tell stories in the same way live-action directors do.)

This Belgian fantasy is highly conceptual—it tells the story of a soldier who died during WWI and was subsequently sent to a sort of steampunk limbo, in which he’s tasked by a mysterious old man with photographing the shadows of people as they die—yet director Tom Van Avermaet is able to keep everything in check. He achieves this by eschewing unnecessary exposition and focusing on more expressive elements such as production design, which emphasizes period detail as well as science fiction iconography. The dreamlike nature of the setting allows Van Avermaet certain liberties with narrative logic, which he gamely uses to his advantage.