I’ve never heard of Mia Hansen-Love, and it’s too early in the morning for me to phone Gabe Klinger and inquire about her. According to the Internet Movie Database, she’s made three movies in France, none of which were released in Chicago. Her third, La Pere de Mes Enfants, which screened yesterday at the Toronto International Film Festival, impressed me with its patient story development and melancholy, highly credible ending.