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Category: Film
Best of Chicago 2021
We couldn’t have made this without you: the proud, opinionated, ballot-stuffing people of Chicago. Thank you for nominating and voting for your favorites. We get to celebrate what we love about living here. Of course there are also folks who are left out of the voting process, a gap that Reader staff and freelancers fill with impassioned essays.
A celebration of Black filmmakers at Block Cinema
[The program] engages what it means to be a Black body . . . in ways both nimbly tactile and equivocally abstruse as only art can be, specifically vis-à-vis experimental film and video.
Big Gold Brick
The effect is full disorientation, which feels refreshingly campy now and then, but bewilderingly out of touch the rest of the time.
Strawberry Mansion
It’s 2035 and the government has levied a tax on the objects you see in your dreams, which you store and upload off memory sticks. Nattily tweed-coated auditor James Preble (Kentucker Audley) doesn’t like it any more than you would.
The Cursed
Ellis has made it very clear that the emotional core of the film is the suffering of marginalized, displaced, and slaughtered people. Why then are we spending the bulk of the run time supposedly rooting for those who benefit from that slaughter?
Boxing Day
With not only Melvin’s Jamaican family, but also the inclusion of characters of African descent, the film exhibits the multiculturalism of Black London that isn’t often shown onscreen.
A Night of Knowing Nothing
The accompanying footage—of student life, of the protests, of that violence—is made to look artsy rather than realistic. It’s rather distracting and almost makes the occurrences seem fictitious.
Last and First Men
The composer’s film deviates from the standard sci-fi film adaptation by dropping excessive special effects currently oversaturating the genre. Instead, Jóhansson redesigns the classic sci-fi story as a prose poem, delivered as a transmission to us: the first humans.
Interview with the film queen
Chicagoan Ramona Slick has curated a monthly meeting place for Chicago’s film nerds and queer community. In December, the erotic performer and queer burlesque dancer debuted a new event series, Rated Q, at the Music Box Theatre. Each event features a brief drag show and screening of a queer film classic. Audience members wear their […]
New directors in a new year
CJFC’s New Year’s Screening asks an American audience to consider the frailty and necessity of art in a mire of human difficulty and loneliness.