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Lumiere

Jeanne Moreau is the director, star, and, more or less, subject of this story about an actress and her circle of friends, all trying to cope with the problems of celebrity, feminism, and romance. Despite a murky narrative, it’s an interesting exercise in egoism (Moreau’s main influence seems to be Jerry Lewis), while for a […]

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Glen or Glenda?

Ever since screenwriter David Newman wrote it up for a Film Comment article on his “Guilty Pleasures,” this grungy exploitation film from 1953 has been a staple of the underground screening circuits. The director, Edward D. Wood, was himself a transvestite (he boasted of wearing women’s underwear throughout his hitch in World War II), and […]

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Spoiled Children

Bertrand Tavernier’s 1977 film plays off the traditions of the French Popular Front cinema of the 30s; it’s a simply told, optimistic story of a group of high-rise tenants who come together to fight an exploitative landlord. Michel Piccoli plays Bernard, a film director who seems to have made many of Tavernier’s own films; he […]

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Beau Pere

A variant on the Lolita myth by Bertrand Blier (Get Out Your Handkerchiefs), with Patrick Dewaere as a philosophical nightclub pianist who finds himself with an amorous 14-year-old (Ariel Besse) on his hands. Though the film has a disturbing tendency to lay all the sexual aggression off on the girl (thus taking the male off […]

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The Stranger

Luchino Visconti stifles his operatic voice and prostrates himself before the altar of Camus. The result is a totally schematic vulgarization of Camus’ philosophical treatise in novel form. It’s not Visconti’s “fault” exactly, nor is it the fault of Marcello Mastroianni as Meursault. But Camus’ desperate either/or existentialism is perhaps better left not visualized.

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The Bounty

Roger Donaldson’s film of the classic tale of discipline and revolt in the British navy (1984) is far better than its predecessors, despite the dim wattage of Anthony Hopkins (as Captain Bligh) and Mel Gibson (as Mister Christian). Robert Bolt’s screenplay was originally prepared for David Lean, and it contains a lot of Bolt-ish/Lean-ish disquisition […]

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Passion

Jean-Luc Godard’s 1982 film is centered on a Godard-like director (played by Jerzy Radziwilowicz, the Polish star of Man of Iron) who divides his time between re-creating classical painting for a movie he is making and contradictory love affairs with Hanna Schygulla (the wife of a factory owner) and Isabelle Huppert (a virginal proletarian). The […]

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In Harm’s Way

Otto Preminger’s epic rendition of the aftermath of Pearl Harbor. It’s a huge film, intertwining the Navy’s preparation for war with a dozen personal stories, yet all the elements are kept in perfect balance. No one was better at these big-scale melodramas than Preminger; the cross-references here are Jack Smight’s Midway and Rene Clement’s Is […]

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Valentino

A strangely warm-hearted Ken Russell movie, portraying the silent star (played by Rudolf Nureyev) as a man of dignity and charm—if not a whole lot of smarts—beset by baroque horrors of the sort that could only arise in a Ken Russell vision of Hollywood. Russell’s supercamp sensibility is not for all tastes, but this is […]