Posted inFilm

Mother

The force of this famous 1926 Russian silent is more mechanical than emotional, centered in the flashy, rhythmic montage techniques of director V.I. Pudovkin rather than in the development of […]

Posted inFilm

Madame Bovary

Flaubert’s tale, rendered in a seldom-seen 1934 film by Jean Renoir. Eric Rohmer noted that the theatricality of the style is required by the self-conscious theatricality of the characters, particularly […]

Posted inFilm

Kameradschaft

G.W. Pabst’s 1931 film recasts an actual incident—a mine disaster on the Franco-German border in 1906—into a parable on international relations; the “little people” transcend their political differences in helping […]

Posted inFilm

Beau Pere

A variant on the Lolita myth by Bertrand Blier (Get Out Your Handkerchiefs), with Patrick Dewaere as a philosophical nightclub pianist who finds himself with an amorous 14-year-old (Ariel Besse) […]

Posted inFilm

The Stranger

Luchino Visconti stifles his operatic voice and prostrates himself before the altar of Camus. The result is a totally schematic vulgarization of Camus’ philosophical treatise in novel form. It’s not […]

Posted inFilm

Passion

Jean-Luc Godard’s 1982 film is centered on a Godard-like director (played by Jerzy Radziwilowicz, the Polish star of Man of Iron) who divides his time between re-creating classical painting for […]