Category: Film

65 is an old-fashioned B movie creature feature with a modern sci-fi feature budget.

An art thief breaks into a New York City penthouse and is unable to get back out.

The real story is interesting enough without what seems like unnecessary sensationalism.

Aside from one effectively tense sequence set in a New York City bodega, there’s a weariness to this entry that it tries to make up for by being in love with itself.

A Winnie the Pooh horror film just seemed like it had the potential to be more pointedly cruel. Instead, we got a weirdly anonymous ursine rather than the best bloody bear in the world.

At first glance, Jesus Revolution is an inspiring, heartwarming watch, but it gives a seamlessly joyful look at a movement with a harmful past, in a way that feels like a slap in the face in the year of our Lord 2023.

The supposed premise of this film—that it’s inspired by the discovery of wet-plate photographs taken by a Danish priest in the late 19th century, as stated in a title card toward the beginning—is itself fictional, a prompt used by Icelandic writer-director Hlynur Pálmason to flesh out the larger narrative.

A smuggler dumps duffle bags full of cocaine into a forest before plunging to his death, and a 150-pound bear gets into the drug packets and dies. Great plot for a comedy, right?