Category: Film

Like the book, the Lionsgate movie offers a gently informative, often hilarious, and always empathetic depiction of a sixth grader yearning for, getting, and celebrating her first period.

Beau is Afraid demonstrates to audiences that the Hereditary and Midsommar director previously held back the full scale of his surrealist inclinations. And that’s a tough pill to swallow.

What raises this above the typical nostalgia-logged music doc is the clear sense that Johansen is not reliving his long discography onstage but continuing to live it in that moment.

Historical dramas can be tricky; it’s hard to bring accuracy and authenticity while trying to captivate an audience. And where Chevalier succeeds with a decently entertaining story, it does falter slightly with the facts.

Get ready, because there’s yet another new take on Dracula. But no need to brace yourself, because Renfield feels surprisingly fresh. 

Carlos Conceição has created a smart, strange film that is disjointed because colonialism is a thing of disjointed desires, histories, and deaths.

Affleck’s return to the director’s chair is an exceptional success, stimulated by its script and cast.

At its core, One True Loves isn’t really a zany screwball film. It’s a dramatic weeper with surprising heart.