George MacKay’s presence and physicality is perhaps one of the most compelling aspects of the film.
It feels like a phone call that could have been a text.
It should be called House of Gaga.
The film is a biting examination of Catholicism with a sly sense of humor.
Everything has a cost, and the cost of being an artist is not cheap.
The end is fairly predictable. The way it gets there is decidedly not.
Chekhov by electric lamplight, A24 style, for the holidays.
The Power of the Dog, Campion’s newest film in 12 years, is among the year’s best.
The chemistry of Mills’s cast is so compelling that it carries the film above the weight of its more navel-gazing moments.
It proves time and again that Smith’s career is one worth considering, celebrating, and continuing to follow.
Award-winning filmmaker and activist Therese Shechter’s new documentary is a gripping film that spotlights society’s expectations on women to produce children, and the horrifying limits women face in pursuit of bodily autonomy.
After last year’s postponed and virtual programming, the 2021 hybrid BHFF brings a wealth of new and underappreciated films.
Rome has never looked so despairing.
A film so soothing to look at that you can almost forgive it for being essentially two hours and 30 minutes of watching grass grow
Hearkening to the great movies of the 80s, this film follows a group of very capable and hilarious kids who save the world from destruction.