Category: Film

Historical dramas can be tricky; it’s hard to bring accuracy and authenticity while trying to captivate an audience. And where Chevalier succeeds with a decently entertaining story, it does falter slightly with the facts.

Get ready, because there’s yet another new take on Dracula. But no need to brace yourself, because Renfield feels surprisingly fresh. 

Carlos Conceição has created a smart, strange film that is disjointed because colonialism is a thing of disjointed desires, histories, and deaths.

Affleck’s return to the director’s chair is an exceptional success, stimulated by its script and cast.

At its core, One True Loves isn’t really a zany screwball film. It’s a dramatic weeper with surprising heart.

Luc and Jean-Pierre Dardenne specialize in social realism, unwaveringly committed to their characters and craft, and Tori and Lokita is no exception.

The line between fact and fiction always blurs when a camera is pointed at people, but in Lisa Akoka and Romane Gueret’s arresting new feature, it’s more like a game of three-card monte.