The effort is appreciated as far as it goes. But it doesn’t matter how enthusiastically you dial if you end up with a bore on the other end of the line.
Category: Film
Minions: The Rise of Gru
Is this in any way, shape, or form defensible as meaningful art? Certainly not. Is it really cute? Yup.
Lost Illusions
Xavier Giannoli’s film is hilarious and always moving with vivid colors and rapid-fire narration that in another movie might feel heavy-handed but here is a guiding force that gives a fascinating quasi-history lesson.
Showcasing Black actors in foreign cinema
Floyd Webb is the curator of the Black Actors in Foreign Cinema screening series, co-presented by nonprofit media arts organization Chicago Filmmakers and his company, the Blacknuss Network.
Ghost of drive-ins past?
From the comfort of your car or on a picnic with friends, Chicago’s outdoor movie screenings have resuscitated the alluring drive-in experience, so screentime can be spent with others all summer long.
A brand new print of Airport premieres at this year’s Music Box 70mm Film Festival
Airport (1970) introduced many tropes so closely associated with the 70s disaster genre: the reverence for—and subsequent destabilization of—then-new technologies, in this case the Boeing 707; a miasma of soap-operaish subplots; and huge all-star casts slumming for easy paychecks.
Cinema Deathmatch: Round One explores moral-panic entertainment
Critics sometimes say that films like Running Man and Battle Royale implicate the viewer. When you watch them, you’re supposed to recognize the ickiness of your own enjoyment of uber-violence. But isn’t the ickiness also part of the enjoyment?
Jurassic World: Dominion
While there’s never really a sense of true danger for our heroes, we get just enough of the range of CGI dinosaurs and their weird traits to keep the film entertaining.
Good Luck to You, Leo Grande
The clash between Thompson’s nervous widow and McCormack’s confident sex worker incites a dialogue that reminds us that it’s never too late to break out of our shells.
Brian and Charles
Charles has a mannequin head, rubber gloves for hands, and a washing-machine torso. But the rest of him is quite obviously human. His hodgepodge construction neatly describes the disjointedness of the film he’s in.
Freedom Uncut
Watching the 80s through the lenses of its superstars is its own glossy and compelling reward, but Freedom also depicts the carnage of the decade.