If you can put up with all the archness and self-consciousness—there’s quite a bit of both—this is an enjoyable romantic comedy (2000) about a pop music junkie (John Cusack) in Wicker Park who runs an old-fashioned record store and can’t seem to sustain a long-term relationship. Cusack joined forces with fellow producers D.V. DeVincentis and Steve Pink as well as Scott Rosenberg on the script, an adaptation of Nick Hornby’s English novel that transposes settings with ease, and director Stephen Frears keeps things simmering. Two pluses: the humor about male neurosis doesn’t try to remind you of Woody Allen at every turn, and the Chicago settings and atmosphere are made to seem relatively cutting edge for a change, rather than appropriate only for car chases. With Jack Black and Lisa Bonet.


Reader Recommends: FILM & TV

Our critics review the best on the big and small screens and in the media.

Review: Nickel Boys

Nickel Boys, an adaptation of Colson Whitehead’s novel, is a cinematic revolution.

Review: The Fire Inside

The Fire Inside is a dynamic and artistic telling of the story of real-life boxing legend Claressa “T-Rex” Shields.

Review: Skeleton Crew

Skeleton Crew provides a new angle on the Star Wars cinematic universe—one that puts childhood adventure front and center.

Review: Sweethearts

Sweethearts is a rom-com that unexpectedly goes its own way.