About the decision to hire Amir George, Gordon Quinn explains, “We really wanted someone we felt was going to help transform us into what the next iteration of Kartemquin would be.”
It’s worth catching up with Giselle and crew one last time, even if the madness of the Big Apple is swapped for the bake sales of suburbia.
Del Toro saddles up with stop-motion animation legend Mark Gustafson to present some of the year’s most stunning visuals but also goes a step further by adding some weighty thoughts on war, death, and family to the beloved Carlo Collodi fairy tale.
Bad Animal feels like the natural progression for their fledgling production company [Emulsion Lab], marrying the indie music locus that inspired their start with the drive for creating projects that rival the scale of their DIY counterparts.
The People We Hate at the Wedding, based on the book of the same name, tells the story of a blended family whose lack of communication leads to a whole big mess on the eldest daughter’s wedding day.
Despite its preponderance of blood and guts and sinew-slathering, bone-smacking gore, Bones and All isn’t exactly a movie about cannibalism.
It isn’t a conventional biography by any means.
Elegance Bratton’s autobiographical story The Inspection is one of learning to accept love on one’s own terms.
With The Last Manhunt, the epic story of Willie Boy the Desert Runner reclaims the narrative of a Native hero long portrayed by white men as a bloodthirsty child kidnapper.
Will Tracy and Seth Reiss[‘s] time in Chicago helped inspire their view of fine dining, and several experiences they had in and around Chicago are actually reflected in The Menu.
Refreshed and revisited, the People Issue’s class of 2022 showcases folks from many walks of life …
A thoughtful and mature exploration of communal grief in the Marvel Cinematic Universe, Black Panther: Wakanda Forever is a fitting tribute to the legacy of Chadwick Boseman.
The film’s playful parody of the genre is delightfully in tune with the legendary musician’s own work.
Aftersun, as a product, is meant to soothe. One uses it after a sunburn to avoid peeling. Aftersun, as a film, doesn’t have the same intention.
Reportedly based on director James Gray’s own childhood, the film traffics in broad-stroke ideas about racism, anti-Semitism, and class struggle.