Subtitled “The Unlimited Readings,” this 1981 Marguerite Duras feature is one of her most strongly minimalist, consisting mainly of an offscreen poetic dialogue between a sister and brother about their memories and their incestuous feelings for each other (spoken by Duras and her companion Yann Andrea) and shots of empty beaches and a virtually deserted hotel lobby where one occasionally glimpses Bulle Ogier (and, less often, Andrea). The results are not devoid of interest, but far less absorbing and resonant than Duras’ India Song and Le camion.