The main question raised by this profoundly dreadful comedy-drama from Australia—a sentimental and obvious story about a production of Mozart’s opera Cosi fan tutte presented in a mental asylum—is why Miramax wanted to produce as well as distribute it in the first place. Apart from fulfilling their overall agenda of keeping art out of arthouses—a mission equally served by their acquiring and then shelving major works like the color version of Jacques Tati’s Jour de fete three years ago—it’s hard to see what possible cultural or commercial function this formulaic piece of claptrap could have. Louis Nowra adapted his own play and Mark Joffe directed; with Ben Mendelson, Barry Collins, Toni Colette, and Rachel Griffiths.