Three films by the great experimental dancer-performer-filmmaker-theorist, perhaps the first major figure in the American avant-garde cinema: Meshes of the Afternoon (1943, 18 min.), codirected by Alexander Hammid; At Land (1944, 15 min.), possibly her greatest film; and Divine Horsemen: The Living Gods of Haiti (1985, 52 min.), her posthumously edited documentary about voodoo rituals.