The Virgin Suicides (2000) revealed writer-director Sofia Coppola to be a genuine original, and now that she’s working with her own material the freshness of her vision is even more apparent. This second feature traces the brief romantic friendship between a jaded movie star and family man (Bill Murray), who’s in Tokyo shooting a whiskey commercial, and a bored young newlywed less than half his age (Scarlett Johansson), who’s waiting for her photographer husband (Giovanni Ribisi) to return from a trip. Coppola does a fair job of capturing the fish-tank ambience of nocturnal, upscale Tokyo and showing how it feels to be a stranger in that world, and an excellent job of getting the most from her lead actors. Unfortunately, I’m not sure she accomplishes anything else.