Jon Jost’s gorgeous, mesmerizing digital video consists of very slow overlapping dissolves between various exterior walls in Rome. Since the festival screening I saw in 2000, Jost has increased the length (to 80 minutes) and added an ambient sound track, but even the earlier version proved that Jost had finally made his painterly experiments in DV as rich as his films: despite what might seem a minimalist palette and framework, the gradual transformations of one wall into another are mysterious and all-enveloping.