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Faust

A brilliant example (1926) of the baroque style by F.W. Murnau. Gösta Ekman is the man who sells his soul, and the buyer is magnificently incarnated by Emil Jannings. As atmospheric and menacing a work as the expressionist movement ever produced.

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In Harm’s Way

Otto Preminger’s epic rendition of the aftermath of Pearl Harbor. It’s a huge film, intertwining the Navy’s preparation for war with a dozen personal stories, yet all the elements are kept in perfect balance. No one was better at these big-scale melodramas than Preminger; the cross-references here are Jack Smight’s Midway and Rene Clement’s Is […]

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After the Rehearsal

Ingmar Bergman’s 70-minute TV film (1984) is an afterword to Fanny and Alexander, an examination of the impressions and emotions that linger after the story is over, taking the form of three monologues (an elderly director, a young actress, the director’s alcoholic ex-star and ex-lover) and a concluding duet. The film is awful where Bergman […]