1 hour 19 min
After the Rehearsal
Ingmar Bergman’s 70-minute TV film (1984) is an afterword to Fanny and Alexander, an examination of the impressions and emotions that linger after the story is over, taking the form of three monologues (an elderly director, a young actress, the director’s alcoholic ex-star and ex-lover) and a concluding duet. The film is awful where Bergman […]
Cries and Whispers
R • 1 hour 46 min • 1973
The Awful Truth
1 hour 31 min • 1937
Everything You Always Wanted to Know About Sex . . . but Were Afraid to Ask
1 hour 28 min
A turn-of-the-century musical with Betty Grable as a sideshow thrush. Walter Lang, the forgotten stalwart of 20th Century-Fox, directs in his patient, anonymous style. It’s a typical Grable vehicle, and mainly for her fans, but the allure of 40s Technicolor is always irresistible. With George Montgomery, Cesar Romero, and Phil Silvers (1943). (DK).
1 hour 37 min • 2012
La Bete Humaine
Jean Renoir’s generous sensibility seems at odds with the sterile determinism of the Zola novel on which this 1938 film was based. Jean Gabin is an epileptic train engineer drawn to the stationmaster’s young wife (Simone Simon). The couple murders a man who tried to seduce her; Gabin witnesses the killing and begins an ambiguous […]
Never Give a Sucker an Even Break
1 hour 11 min
Claude Chabrol’s humor and irony aren’t much in evidence in this 1968 work, his first “art film” after five years of genre work. The title (less racy in translation—“The Does”) refers to Stephane Audran and Jacqueline Sassard, two women living out an enigmatic relationship in the south of France. Sex enters with the appearance of […]
The Subjective Factor
A 1981 film by Berlin-based feminist Helke Sander (The All-Around Reduced Personality), centered on a middle-aged artist who begins to question and analyze the influence of men in her life. Sander will be present for the screening.
Romancing the Stone
Director Robert Zemeckis displays such dazzling cinematic know-how that it’s genuinely depressing when this 1984 film falls off into the usual self-ridicule. It sometimes seems that the main task of filmmakers in the 80s was to placate the smart-asses in the audience; Zemeckis wins them over through a plot (romance novelist stumbles into an adventure […]
Glen or Glenda?
Ever since screenwriter David Newman wrote it up for a Film Comment article on his “Guilty Pleasures,” this grungy exploitation film from 1953 has been a staple of the underground screening circuits. The director, Edward D. Wood, was himself a transvestite (he boasted of wearing women’s underwear throughout his hitch in World War II), and […]
Bertrand Tavernier’s 1977 film plays off the traditions of the French Popular Front cinema of the 30s; it’s a simply told, optimistic story of a group of high-rise tenants who come together to fight an exploitative landlord. Michel Piccoli plays Bernard, a film director who seems to have made many of Tavernier’s own films; he […]