Posted inFilm

The Natural

I’ve just about had it with directors who use the mythic mode as an alibi for unshaded characterizations, simpleminded plotting, and swells of artificial emotionality. Barry Levinson’s 1984 film preserves the Arthurian imagery of Bernard Malamud’s baseball novel while stripping away all its darkness and irony; what’s left is a sappy tale of youthful purity […]

Posted inFilm

The Lower Depths

Based on Gorky’s play, this is definitely not Jean Renoir’s greatest film; it seems cramped and tenuous (1936). Still, it carries some interest in its curious blend of tones and styles—it oscillates between vaudeville turns and stark tragedy. The cast, not distinguished, includes Jean Gabin, Louis Jouvet, and Vladimir Sokolov.

Posted inFilm

She Married Her Boss

Not as bright as the best of Gregory La Cava’s improvisational comedies (My Man Godfrey, Stage Door), this 1935 effort still features some memorable moments (in a department store window) and a moving, melancholic subtext. Claudette Colbert, livelier than usual, is an executive secretary who marries her employer (Melvyn Douglas), only to find their relationship […]

Posted inFilm

The Human Comedy

Not the best example of director Clarence Brown’s work, this 1943 film is nevertheless faithful to William Saroyan’s achingly sentimental novel about a boy’s awakening maturity in the midst of war. If you can stand a teenage Mickey Rooney for nearly two hours, you’ll find it a solid piece of Americana. With Frank Morgan, Marsha […]