John Cleese stars as a stiff-backed major in charge of “SADUSEA”—“Song and Dance Unit, Southeast Asia”—sent to entertain the British troops fighting in Singapore in 1948. Michael Blakemore (Noises Off) directed this farce, which was adapted from a 1977 Royal Shakespeare Company production. With Denis Quilley, Michael Elphick, and Nicola Pagett.
G • 2 hours 17 min • 1952
An ethnological parable by Susumu Hani, in which a Japanese builder, sent to Africa to construct a settlement for a university group, discovers a new way of life among the natives. With Kiyoshi Atsumi (1965).
R • 1 hour 45 min • 1984
NR • 1 hour 36 min • 1947
Craftsmanship, intelligence, and refined sentiment are the hallmarks of Bertrand Tavernier’s exquisite French feature (1984), a model of how much ground can be covered with the smallest movements. In 1912 an elderly painter (Louis Ducreux) is visited at his country home by his straitlaced son (Michel Aumont) and his family; the old man’s daughter, a […]
The bucketloads of sanctimonious message mongering ladled on by director Peter Hyams still can’t disguise the sheerly mercenary basis of this 1986 project, a wholly uncalled-for sequel to Stanley Kubrick’s 2001. Kubrick’s 1968 film was the first in American movie history to get an open-ended, modernist narrative past a popular audience; Hyams has set himself […]
A 1984 thriller by Michael Crichton (Coma, Looker), set in a not-too-distant future where a police sergeant in charge of stopping runaway robots (Tom Selleck) comes up against an evil genius (Gene Simmons of Kiss) who has found a way to program them to kill. With Cynthia Rhodes, Kirstie Alley, and Stan Shaw. PG, 100 […]
Well-meaning rot from 1963. Sidney Poitier, in an Oscar performance, helps a band of German nuns build a chapel, and everyone basks in the warm light of common humanity. With Lilia Skala, directed by Ralph Nelson. 93 min.
Shyam Benegal’s Indian film is an update of the Mahabhatata, transposing the story of two warring families to the newly industrialized India of the 1950s. The Puranchads and the Khubchands are the owners of opposing industrial empires, linked by blood and divided by competition for the same markets. With Sashi Kapoor
Portuguese director Manoel de Oliveira made this amazing film in 1981, at the age of 72; as powerful as it is stark, it suggests a blending of the modernist, minimalist techniques of Jean-Marie Straub with the elusive spiritual subject matter of Max Ophuls. In 19th-century Portugal, a rising young novelist falls in love with the […]
The gay theme was placed at the center of the publicity for this Arthur Hiller film, but in the movie it’s off to one side—it occupies, in fact, the same structural position that fatal disease did in Hiller’s Love Story. The film is about the breakdown of a beautiful relationship caused by forces beyond anyone’s […]
Great moments stud Bernardo Bertolucci’s 1976 Marxist epic, but the end result is ambiguous. Robert De Niro is a landowner, Gerard Depardieu is a peasant; they share a birthday and most of the history of the 20th century—the fall of feudalism, the rise of fascism, and two world wars. In the film’s four-hour version, at […]
Touching, funny tale of a maverick jive-talking black angel named Levine (Harry Belafonte) who tries to redeem himself with the higher powers by helping a poor, moaning Jew named Mishkin (Zero Mostel). Jan Kadar directed this 1970 fable.
A genuine charmer by George Roy Hill, a director best known for such ersatz charmers as Butch Cassidy and The Sting. His crowd-pleasing instincts have been subsumed by a bracing technical assurance here; the contrivances are still there, but they’re presented with a smooth and rare professionalism. The plot of this self-styled trifle recalls one […]