The 28th Black Harvest Film Festival, hosted at the Gene Siskel Film Center, invites Chicago to experience a rich selection of films devoted to amplifying Black storytelling and promoting the careers of young filmmakers.
Category: Film
The Eyeworks Festival of Experimental Animation returns
It’s oddly fitting that the touring, Los Angeles-based Eyeworks Festival of Experimental Animation went on hiatus during the dog days of the pandemic.
After 42 years, Halloween finally ends
Halloween Ends is notable mainly for its cockamamie plot and its reverence for the original.
Black Adam
Rarely do we feel like we are experiencing the thing itself, but rather a setup for a different, later event, which will probably not be the real thing either.
My Policeman
Much like its purported star—heartthrob Harry Styles—British director Michael Grandage’s adaptation of Bethan Roberts’s 2012 novel is wantedly handsome and genially bland.
Ticket to Paradise
It’s a fine enough movie to fritter away a couple hours with, but don’t expect it to stick around in your consciousness for too long.
Sex Demon: pornographic camp and long-lost queer history
J.C. Cricket’s Sex Demon is not for the faint of heart—it’s for the depraved of mind, and Chicago is blessed to have it showing one night only at the Music Box on October 26.
Decision to Leave
Decision to Leave is a subtle masterpiece from Park Chan-wook, braiding a heart-stirring tenderness into a murderous thriller.
Triangle of Sadness
Despite Ruben Östlund’s shortcomings and imprudent tropes, Triangle of Sadness is harrowing, consistently funny, and packed with surprises.
Black queer love, trans Iranian justice, asexual visibility, and more
Pride Film Fest showcases LGBTQ+ shorts and features a diverse mix of riveting stories told across the LGBTQ+ spectrum.
Indie rock, immortalized
Local Band is a feature film about a fictional band that, like their real-life Chicago counterparts, still give it their all despite feeling doomed to fall through the cracks.
Friendships and horror flicks
There are plenty of film podcasts out there that focus exclusively on the plot or style. Neither Mallory nor I is an aspiring filmmaker or film historian; we’re just two friends talking.
A love letter to ‘snakies’
Why did it have to be snakes? I don’t have especially strong feelings about them, and yet in the last few years I’ve accidentally become an expert on the deranged world of snakesploitation horror cinema.