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Along with James Whale’s The Great Garrick, this 1949 melodrama about the French Revolution, also known as The Black Book, is one of the few period pictures that qualify as film noir; Anthony Mann directed it with sumptuously arty chiaroscuro (cinematography by John Alton). With the two leads (Robert Cummings and Arlene Dahl) periodically steering it in the direction of camp, this film is loads of fun. Richard Basehart also stars; Philip Yordan scripted.