Surname Viet Given Name Nam—the third film of Trinh T. Minh-ha, the American-based Vietnamese experimental filmmaker (Reassemblage, Naked Spaces: Living Is Round)—offers a multilayered, complex, and often moving depiction of Vietnamese women and their oppression, both in Vietnam and as refugees in the U.S. Organized musically and utilizing a variety of materials ranging from interviews to newsreel footage to diverse literary and critical commentaries on the sound track, the film is as much about how we as Westerners perceive Vietnamese women as it is about its subject. Trinh’s methods of questioning and dismantling the documentary forms that are generally used to confront such a subject are radically conceived, as well as cunningly and delicately employed. Not an easy film, but an unforgettable one (1989).