Russ Meyer’s 1975 sleaze, sex, and violence romp features Martin Bormann running a filling station in the southwest and another character masturbating with (not on) a mountain peak. Despite these and other peculiarities, this is really less fun than the more baroque Meyer outings, such as Up!, Beyond the Valley of the Dolls, and Beneath the Valley of the Ultravixens—perhaps because too much routine violence and nastiness keeps getting in the way.