Robert Bresson’s penultimate feature (1977)—his only original script apart from his early short Affaires publiques and his masterpiece Au hasard Balthazar—is a ringing indictment of the modern world, centered on the suicide of a disaffected 20-year-old Parisian. There’s something mannered and at times even freakish about Bresson’s handling of well-clothed adolescents and his multifaceted editorializing—which improbably recalls Samuel Fuller in its anger and dynamic energy—but the power and conviction of this bitter, reflective parable are remarkable. Not a masterwork perhaps, but certainly the work of a master, and, judging from the work of many of his young French disciples (including Leos Carax), one of his most influential features. In French with subtitles.