Derek Jarman’s kaleidoscopic experimental film (1987)—a dark, poetic meditation on Thatcher England—is visionary cinema at its best. Shot in Super-8, transferred to video for additional touches and processing, then transferred back to 35-millimeter, this work combines more than half a century of home movies of Jarman’s family, a documentary record of industrial and ecological ruin, and sustained looks at Jarman regulars Tilda Swinton and Spencer Leigh. The often astonishing results become increasingly spellbinding as the work proceeds. Over an evocative narration by Jarman (which includes apocalyptic quotes from such poets as T.S. Eliot and Allen Ginsberg) and stirring use of music and sound effects, images in black and white, sepia, and color explode and merge with mesmerizing intensity and build toward a powerful personal statement.