Made for West German television in 1980, William Klein’s very entertaining and energetic documentary portrait of the rock-and-roll idol was shot mainly in Macon, Georgia, Little Richard’s hometown, at a time when the singer was a “media evangelist” for a company selling expensive commemorative Bibles. Midway through production, Little Richard had a financial dispute with the Bible company and announced that he’d received a message from God telling him to walk out on the film. He promptly disappeared. Ordinarily, this would have left the film and filmmaker high and dry. But a deft use of archival footage of Little Richard in his prime, combined with Klein’s usual fascination with media fanfare —including a hilarious procession of black and white Little Richard impersonators—gives the film more than enough to sink its teeth into. And because this is William Klein, the teeth are sharp and the bite is sure.