Preston Sturges’s screenplay for this 1933 film and its achronological flashback structure (billed as a new technique called “narratage” when the film opened) are often cited as important influences on Citizen Kane. But Orson Welles never saw the film, and in fact it seems rather flat and dated today, unlike most of Sturges’s other scripts. Spencer Tracy plays the tycoon with the power and glory, and fine as he is, this isn’t one of his best pictures. Nor does it represent the full talent of its interesting director, William K. Howard. With Colleen Moore, Helen Vinson, and Ralph Morgan.