An Iranian businessman brings his young wife to New York, where a misunderstanding quickly leaves her a widow and the object of the attentions of some of her husband’s friends. Writer-director Ghasem Ebrahimian’s location shooting in 16-millimeter employs a strikingly vivid use of color, but his talents as a storyteller are uneven—shots are often held too long without any discernible rhythmic or narrative function. As a plot with both comic and thriller elements, the film’s beginning and closing sections are provocative (if not always convincing) while the middle tends to sag. Overall, this is a fitfully interesting first feature with a few things to say about the clashes between American and Iranian cultures, but not a fully realized piece of filmmaking. With Pouran, Ali Azizian, Shahab Navab, and Assurbanipal Babila (1988).