Chicago musician Matt Mehlan (Skeletons) has occasionally organized a project he calls Easy Not Easy, which is his response to an endeavor by experimental composer and musician David Behrman that focuses on “deceptively simple scores,” compositions that offer performers significant leeway and input. Mehlan’s effort began in New York in 2010 and enlists a number […]
Category: Concert Preview
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On Brokenlegged, Sinai Vessel front man Caleb Cordres wants a view from both sides of the aisle
In a recent interview with radio program cum music site the Alternative, Sinai Vessel founder and front man Caleb Cordes said his band’s brand-new full-length, Brokenlegged (Tiny Engines), is “about living with a new awareness and how that can alienate you from having contact with people who don’t have the same awareness.” Cordes, who’s written […]
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LA’s Tim Presley continues his collaboration with Welsh singer-songwriter Cate Le Bon on The Wink
Over the last couple of years LA underground rock fixture Tim Presley (aka White Fence) has been working regularly with beguiling Welsh singer-songwriter Cate Le Bon. In 2015 they released a fascinating mess of a record under the name Drinks, and last fall Presley dropped his first album under his given name, one on which […]
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Moon Tooth take as many left turns as their wicked prog metal allows on Chromaparagon
This Long Island quartet threw down a gauntlet with their 2013 debut EP Freaks: 14 filler-free minutes of wickedly efficient prog metal. But on their debut self-released full-length, Chromaparagon, Moon Tooth stretch out and settle in, proving that they can comfortably sustain their inventiveness over a long span. There’s a little bit of Converge and […]
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Producer Sampha morphs from collaborator to full-on pop quantity with the debut full-length Process
What do Solange’s A Seat at the Table, Frank Ocean’s Endless, and Kanye’s The Life of Pablo have in common? Well, besides being some of the most talked-about releases of 2016, they all feature golden vocal contributions from London singer, songwriter, and producer Sampha Sisay, better known as Sampha. (Kanye didn’t actually add the knockout […]
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Though they play it safe, White Lies provide a gateway to Joy Division and the Smiths for a new generation of punks
On last October’s Friends (BMG) White Lies have almost all of the ingredients for greatness: the lean and direct rhythms of early U2, the airy synths of 154-era Wire, and the hopeful-albeit-dark melodic sense of New Order. But the one major component missing from this London-based postpunk trio’s formula is the actual punk—these tunes are […]
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With Get Better Lemuria helped us wipe away emo’s closed-minded pop era
During emo’s pop phase in the 2000s, pointed, unambiguous sexism was unfortunately welcome, but as the bands propagating that message began gasping their last breaths at the end of the decade, Buffalo trio Lemuria emerged from the underground with Get Better (Asian Man). Not only did the album hint at emo’s groundswell of creative rejuvenation, […]
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Together Aisha Orazbayeva and Joe Houston play Cage, Feldman, and Wolff
In response to President Trump’s recent executive order on immigration Aisha Orazbayeva has canceled her upcoming tour. Kazakhstan-born, London-based violinist Aisha Orazbayeva and British pianist Joe Houston have each found ways to reconcile contemporary classical music practice with traditional repertoire. Houston’s dynamic approach sounds apposite on both the Franz Liszt and John Cage pieces posted […]
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On American Band, Drive-By Truckers dig through the country’s toxic mix of violence and racism
Few working bands embrace their southern heritage as proudly as Georgia’s Drive-By Truckers, which makes their decision to wade right through the country’s political divide all the more stunning. The group intentionally dropped its strong new album American Band (ATO) at the end of September, just as the presidential election neared the height of its […]
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Salvation’s new Sore Loser is at just the right level of high-strung and heated
A combo of tortured and defiant, the hard-nasal wail of Salvation front man Jason Sipe is one that every angsty young punk who grew up on the streets of the 90s fantasized about. Like Cobain meets Yow meets Dremel Saw-Max applied to pavement, it slices through the trio’s loosey-goosey noise rock—which lands somewhere between the […]
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With his slick hooks and arrhythmic stutter, 24hrs is Atlanta to the bone
24hrs is waiting to receive plaudits like those collected by R&B-rap crossover acts Ty Dolla $ign—a frequent collaborator—and the also anonymously named Dvsn, if only because he’s as yet nowhere near as lyrically acute as the former or as spiritual as the latter. The Artist Formerly Known as Royce Rizzy is Atlanta to the bone, […]
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Acoustic guitarist Daniel Bachman is much more than a disciple of John Fahey
Daniel Bachman continues to see past the limitations of acoustic guitar music. He’s only 26, but he’s already waxed nearly a dozen albums (not counting side projects released under different names), revealing a quiet virtuosity that’s always subservient to mood and tone. His strongest work yet, November’s eponymous album for Three Lobed, artlessly braids together […]
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Minders
MINDERS For much of their career these bedroom Anglo-poppers from Portland, Oregon, have been buoyed by the tidal wave of hype about the Elephant 6 Recording Company, a loose aggregation of home-recording enthusiasts led by Robert Schneider of the Apples in Stereo. Schneider lent his flower power to the Minders’ first single back in 1995, […]
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Pavement
PAVEMENT Rumors have been flying for months that Pavement’s Terror Twilight (Matador), which hits the shelves Tuesday, is to be the band’s swan song. If that’s true, they’re going out with more of a whimper than a bang—but even Pavement’s whimpering beats a lot of other people’s banging. The new album builds on the direct […]
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Pavement
PAVEMENT With its most recent album, Brighten the Corners (Matador/Capitol), Pavement has settled gracefully into normalcy, making musical peace with its middle-class roots. Sometimes the intersecting guitar lines of Stephen Malkmus and Scott Kannberg hark back to the jagged architecture of previous efforts, and the band’s hooks remain delightfully off-kilter. But the new album is […]