The Music Box once again introduces modern audiences to the “road show” moviegoing experience.
Tag: 2001: A Space Odyssey
Posted inFilm
Ad Astra sends father-son conflict into space
Director James Gray’s latest returns to the theme of the powerful but imperfect patriarch.
Posted inBlogs
Does 70-millimeter film improve the moviegoing experience?
The Music Box’s festival, devoted to the celluloid format, begins tonight.
Posted inBlogs
The rise and fall of a techno DJ, plus more new reviews and notable screenings
New reviews and notable sceenings
Posted inFilm
In Amour Fou, a brilliant Prussian writer seeks a partner in suicide
In Amour Fou, filmmaker Jessica Hausner chronicles the symbolic suicide of German Romantic playwright Heinrich von Kleist.
Posted inBlogs
The Chicago Film Critics Festival, the rest of our new movie reviews, and this week’s notable screenings
New reviews and notable screenings in this week’s issue
Posted inBlogs
David Cronenberg invades Hollywood, plus more new reviews and notable screenings
New reviews and notable screenings in this week’s issue
Posted inBlogs
Reader film editor placed on suicide watch—plus more new reviews and notable screenings
New reviews and notable screenings in this week’s issue
Posted inBlogs
The five best Pixar films (yes, it includes at least one Toy Story)
The best films from Pixar Animation Studios
Posted inBlogs
Is Interstellar better when you’re stoned?
Christopher Nolan’s sci-fi epic has a few things in common with 2001: A Space Odyssey, you say? Let’s put it to the test.
Posted inFilm
Matthew McConaughey goes nowhere fast in Interstellar
Christopher Nolan’s Interstellar is long on idea but short on story.
Posted inBlogs
Not coming to a theater near you, and the rest of this week’s screenings
New reviews and notable screenings in this week’s issue
Posted inFilm
Under the Skin: On the road to nowhere
In Under the Skin, Scarlett Johansson is an alien life-form stalking strange men.
Posted inBlogs
The Swimmer and other movies that ask “who is that?”
Noting a few ways that filmmakers can defamiliarize the presence of actors