Bullet Train’s biggest feat is its own understanding of merging its chaotically Looney Tunes-level of violence with some genuinely interesting storytelling turns, and its use of Brad Pitt’s comedic sensibilities to their utmost.
Wrong Place is a convoluted mess that struggles to connect disjunctive plot points as they dawdle their way to the movie’s inevitable conclusion.
The smaller humans who saw the preview were delighted, and their parents didn’t seem to be suffering.
It’s clear that the makers had an aim to make the movie stand out from typical kiddie fare, and they succeed, generally.
While there’s never really a sense of true danger for our heroes, we get just enough of the range of CGI dinosaurs and their weird traits to keep the film entertaining.
Somehow Cruise’s foray back into the danger zone will be remembered more than the original, setting a new standard in the era of reboots.
No amount of cowboy bravado could pump life into director Naveen Chathappuram’s debut film.
Veteran director and cult icon Sam Raimi brings us a vision of Dr. Strange that thankfully shakes off some of the weight of the ever-expanding Marvel universe.
If you love Nicolas Cage, you’ll love this film—and who doesn’t love Nicolas Cage?!
In a crowded field of lone-man operators-against-the-world action films, The Contractor doesn’t do anything well enough to finish the job.
Robert Pattinson shuts all his haters up with a vulnerable and terrifying performance in Matt Reeves’s The Batman.
This is for people who want to see landscapes blow up and large things dropped onto other large things. Those are the only pleasures on offer.
It’s a spy movie made for streaming while scrolling your phone or surfing the web.
After the disaster that was the 2016 Suicide Squad, the recent incarnation of The Suicide Squad, directed by James Gunn (Guardians of the Galaxy), is a delicious heap-of-dismembered-bodies worth of […]
1 hour 51 min