Theatre Above the Law produces an Elaine May deep cut.
Instead, it settles for some bad fake interpretive-dance sex.
A bold new era for earwax research has dawned.
But A Streetcar Named Desire deserves better.
Spike Jonze’s Her invites a subjective response.
This Is the End is the latest mainstream comedy to take a casual attitude toward getting high.
A dark adaptation of the original fairy tale from Redmoon Theater alums