Posted inMusic

Diamanda Galás’s once-in-a-generation voice keeps growing darker and wilder

Virtually everything that’s ever been written about post­apocalyptic Greek-American mourning diva Diamanda Galás focuses first and foremost on her voice—and rightly so, given that it’s a once-in-a-­generation instrument that’s only grown darker and wilder since her electrifying 1982 debut, The Litanies of Satan. There’s also a lot to say about her prowess as a composer […]