Its title and structure clearly classify William Shakespeare’s All’s Well That Ends Well as a comedy. By definition, tragedies end in death, comedies with weddings. Nobody dies during All’s Well, but the climactic wedding in the final act hardly ends with the happy couple basking in the rosy romantic glow of a strongly implied happily […]
Tag: Andrew Boyce
The big meal
In a recent New Yorker profile of Natasha Lyonne, star and creator of the trippy Netflix series Russian Doll, Lyonne reflects on her heritage as the granddaughter of Holocaust survivors, and how that trauma creates ripple effects through the generations. “I joke that there’s a straight line from Hitler to heroin,” she says. The Levi-Katz […]
Sea changes
In his preshow speech, Court Theatre artistic director Charles Newell asked the audience how many had ever seen Henrik Ibsen’s 1888 play The Lady from the Sea before. “We’re at Court Theatre and we’re doing an Ibsen play only four people have seen,” he responded. That alone helps make the case for this production, which […]
Dael Orlandersmith’s Lady in Denmark explores the legacy of Billie Holiday through one of her fans
But the music gets lost in a stew of melancholy.
In Cry It Out, four new parents learn what to expect when they’re no longer expecting
In this social order, parenthood is idealized, but not feasible.
Definition Theatre’s An Octoroon boldly subverts, in white-, red-, and blackface
Playwright Branden Jacobs-Jenkins resurrects a wildly popular—and wildly racist—19th-century melodrama.